(Larger Image)
|
Equal Love
by Peter Ho Davies
Product Group: Book
Publisher: Mariner Books (2000-01)
ISBN: 0618006990
EAN: 9780618006991
UPC: 046442006996
Dewey Decimal #: 823.914
Paperback: 192 pages
Edition: 1
SKU: 01DB-002-7-1206
Condition: Fine
Comments: SIGNED BY AUTHOR. Clean copy in like-new condition. Davies is a recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Fine Arts Work Center in Provincetown. He has taught at the University of Oregon and at Emory University and currently directs the MFA Program in Creative Writing at the University of Michigan in Ann Arbor. *International Buyers Welcome!* (except for prohibitively heavy items, as noted) - Satisfied customers in over 40 countries! We ship quickly and guarantee satisfaction. Your purchase helps support a U. Chicago student
|
Editorial Reviews
|
Product Description
Peter Ho Davies's award-winning debut collection, THE UGLIEST HOUSE IN THE WORLD, drew comparisons to the work of Raymond Carver, James Joyce, and V. S. Naipaul. The Washington Post hailed it as "astounding . . . Davies has left a unique, definitive footprint in the soil of contemporary short fiction." In his new collection, Davies's unforgettable characters -- a Chinese son gambling with professional mourners, a mixed-race couple who experience a close encounter -- strive for a love that transcends time, race, and sexuality. These are the stories of a sandwich generation -- children of one century, adults of the next -- caught between debts to their parents and what they owe their own offspring. Shot through with humor and grace, EQUAL LOVE confirms Davies's reputation as one of his generation's foremost writers.
|
Amazon.com Review
A collection need yield only one really great story to be, itself, great, and Peter Ho Davies's Equal Love offers such a story--the deceptively low-key "Cakes of Baby." A couple--he's Indian, she's white--spend Thanksgiving with the wife's family. Nothing much happens. The husband, Sam, plays with a toddler, the wife, Laura, argues with her sister. But Davies uses the short-story writer's most hackneyed milieu--the holiday get-together--to tell a thoroughly fresh tale about class. A family can encompass both good and bad luck, as the author telegraphs neatly in this quick interchange: Later, as the wine moves round the table, Nick starts up on the market. How they should all get in on it. How there's easy money to be made. "It's our middle-class duty, all right," Phil says, laughing, but Suzy says she's not middle-class. She's a waitress, she says, looking around the table. Derek's a mechanic. He nods. How's that middle-class? "While your Uncle Phil is digesting that foot in his mouth..." Marilyn starts, and Laura tries to help by adding that being middle-class isn't just about income. This is a story preoccupied with how people love each other, and also with money--two subjects that bump up against each other a lot in real life but seldom in the workshoppy kind of fiction Davies specializes in. Davies (The Ugliest House in the World) has been celebrated, anthologized, presented with the O. Henry Award, and he certainly does the thing he does--the production of ambiguous feeling in the reader--very, very well. Many of his characters are academics, but they could just as well be butchers or yardmen; they do plain old human stuff--consider having affairs, fight with their parents, raise their kids. In fact, his second collection comes off as almost anti-intellectual, so devoid is it of literary game-playing. The only foray into formal play, "How to Be an Expatriate," derives directly from Lorrie Moore's stories in the imperative voice in her 1985 collection, Self-Help. But Davies eschews her bitter wit in favor of remorsefulness: "Look at old photos. Reread letters. Wish you'd kept a diary. Think, you chose this. You're an expatriate, not an exile. It's what you always wanted." Here is a writer who takes feelings seriously, whose risks are emotional and never formal. --Claire Dederer
|
Customer Reviews
|
Decent Collection
Rating  (3)
Date: 2001-09-04
7 out of 9 customers found this reveiw helpful
You know, I've noticed that people who write reviews on here either go overboard with their praise, or they pan the book. Well not here. Folks, let me say this about Equal Love: it's pretty good. There is accomplished prose throughout, several very good stories, one or two excellent stories and a couple average ones.
For the most part, I enjoyed Mr. Davies voice and although I will not pronounce this a five star work of brilliance, I will be looking forward to more of his work. Overall, a solid and worthy effort.
|
|
A Wonderful Collection
Rating  (5)
Date: 2000-07-21
5 out of 6 customers found this reveiw helpful
Peter Ho Davies has put together a fabulous short story collection. It is a collection though, that hangs together with the unified strength of a novel. Each story has strenghths of its own, but the effect of them as a group is even stronger. These are contemporary stories, each one of them different, with different kinds of characters, but they are all about love. Davies focuses mainly on the love between parents and children. He questions--Can the love between a parent and a child possibly be equal love? These stories will stay with you long after you read them. They are wonderful. I highly recommend Equal Love.
|
|
an antidote to irony
Rating (5)
Date: 2000-03-25
8 out of 12 customers found this reveiw helpful
Peter Davies' stories cleanly strike the shifting ground notes-- sometimes discordant, sometimes rapturous-- that resonate at the core of human relationships. "How to be an Expatriate" is as deft a portrait of the "inter-continental lost soul" as the best of Pico Iyer's writing; like an archaeologist hoarding potsherds adorned with runes from a long-forgotten language, the narrator of "Today is Sunday" clutches at those scant moments that cast reliable light into the shadowed corners of the love between parents and their children; and the hapless, feckless lovers in "Equal Love" catch the clearer vision of themselves not from the detached perspective commended by the ideas of commitment or obligation but from the reflection of their folly that they find in a glimpse of their children's adolescent gropings for affection. Many writers of contemporary fiction prize structure and disdain content in their efforts to lay hold of the character of our particular cultural moment. This strategy lets slip by some of the finer, richer insights that Davies' net captures for us.
|
|
Questions about any of our books? Would you like us to send you additional photographs? You are invited to contact us!
rwnye@masstraderbooks.com
(231) 670-6424
|
|